Conrad Buff

Born in Switzerland in 1886 and having spent his later teen years studying art in Munich, Conrad Buff came to the United States as a talented nineteen year old. In his first year in America, he spent some time doing odd jobs, herding sheep in a Swiss speaking region of Wisconsin, cooking in cafes and bartending. As his English improved, he quickly made his way west, and at at age twenty-one, he arrived in Los Angeles and met some artists who turned into life long friends. Among these were Maynard Dixon, eleven years his senior, and Edgar Payne, three years older.

Self Portrait	Born in Switzerland in 1886 and having spent his later teen years studying art in Munich, Conrad Buff came to the United States as a talented nineteen year old. In his first year in America, he spent some time doing odd jobs, herding sheep in a Swiss speaking region of Wisconsin, cooking in cafes and bartending. As his English improved, he quickly made his way west, and at at age twenty-one, he arrived in Los Angeles and met some artists who turned into life long friends. Among these were Maynard Dixon, eleven years his senior, and Edgar Payne, three years older.		Conrad Buff 1886 - 1975
Self Portrait	From a cave	Mountain River	Sunlit Face
	Self Portrait	Mary Buff	Blue Mountain - Sold
Bodega Bay Heritage Gallery \| 1785 Coast Highway One, PO Box 325 Bodega Bay, CA 94923 \| 707-875-2911 \| Email Us
Regarding Edgar Payne here's an interesting story. Buff met Edgar Payne and worked for him in 1917. Payne was asked by the Congress Hotel in Chicago to provide murals for all eleven floors of their new hotel. To get the job done, he and his artist wife Elsie Payne hired other artists, Jack Wilkerson Smith, Peter Nielsen, and Grayson Sayer. They rented a warehouse in the town of Tropico (now Glendale) near Eagle Rock, California. In Eagle Rock, a young artist named Conrad Buff heard of the project and applied for an assistant's position at $3.50 per day. Buff would stretch the canvases. Payne would then sketch out the painting. Buff would paint the sky and clouds, Payne and Smith would paint the foreground, Neilsen painted garlands and garlands of flowers, and Sayer and Payne would finish the foreground. By the end of the job, Buff was making $5.00 a day, eleven square yards of muslin were used, and ten thousand pounds of white lead paint. By the age of forty, Conrad Buff had established himself as a notable artist of strikingly-constructed mountain and desert landscapes of the Southwest. Today his paintings hang in the Los Angeles County Art Museum, the Oakland Museum, the San Diego Art Museum and others. Sources: Libby Buff and George Stern, The Art and Life of Conrad Buff, 2005 conversation with Libby Meador, 2005; Askart